Discussing the mediums of film, television and media, in relation to people of color and society.
Showing posts with label New York. Show all posts
Showing posts with label New York. Show all posts
Tuesday, September 30, 2014
Monday, August 18, 2014
Union Square Protest
Wednesday, August 6, 2014
Real Classy Tribute to Derek Jeter
What I love about this ad is that there is no dialogue, no grand special effects or grand proclamations. We see one of New York's most revered athletes shown getting respect from a host of people (even opposing players) for all that he has achieved over the years. The fact that the gratitude is expressed by the simplest of gestures -- a hat-tip -- makes this ad all the more rewarding.
Well done, Nike.
Sunday, January 12, 2014
Harry Belafonte on Race & Cinema
This is from a speech made by the legendary artist Harry Belafonte at the New York Film Critics Circle Awards last week.
"... The power of cinema is an uncontainable thing and it's truly remarkable, in its capacity for emotional evolution. When I was first watching the world of cinema, there was a film that stunned the world, with all its aspects and art form. They did a lot, at that time. The film was done by D.W. Griffith, and it was called The Birth of a Nation, and it talked about America's story, its identity, and its place in the universe of nations. And that film depicted the struggles of this country with passion and power and great human abuse. Its depiction of black people was carried with great cruelty. And the power of cinema styled this nation, after the release of the film, to riot and to pillage and to burn and to murder black citizens. The power of film.
"... The power of cinema is an uncontainable thing and it's truly remarkable, in its capacity for emotional evolution. When I was first watching the world of cinema, there was a film that stunned the world, with all its aspects and art form. They did a lot, at that time. The film was done by D.W. Griffith, and it was called The Birth of a Nation, and it talked about America's story, its identity, and its place in the universe of nations. And that film depicted the struggles of this country with passion and power and great human abuse. Its depiction of black people was carried with great cruelty. And the power of cinema styled this nation, after the release of the film, to riot and to pillage and to burn and to murder black citizens. The power of film.
At the age of five, in 1932, I had the great thrill of going to the cinema. It was a great relief for those of us who were born into poverty, a way we tried to get away from the misery. One of the films they made for us, the first film I saw, was Tarzan of the Apes. [Ed note: The movie is called Tarzan the Ape Man.] In that film, [we] looked to see the human beauty of Johnny Weissmuller swinging through the trees, jump off, and there spring to life, while the rest were depicted as grossly subhuman, who were ignorant, who did not know their way around the elements, living in forests with wild animals. Not until Johnny Weissmuller stepped into a scene did we know who we were, according to cinema.
Throughout the rest of my life ... on my birth certificate, it said "colored." Not long after that, I became "Negro." Not too long after that, I became "black." Most recently, I am now "African-American." I spent the better part of almost a century just in search of, seeking, "Who am I? What am I? What am I to be called? What do I say? Who do I appeal to? Who should I be cautious of?" In this life, when we walk into the world of cinema, we use the instrument that is our ability to try to give another impression of who and what we were as a people, and what we meant to this great nation called America. I'm glad that Sidney Poitier should step into this space right after the Second World War, and new images of what we are as people, certainly as men.
Wednesday, December 25, 2013
Usher & Alicia Keys - My Boo (2003)
Closing out 2013 with a love song. Merry Christmas everyone.
Labels:
2003,
Alicia Keys,
music video,
My Boo,
New York,
Taxi,
Usher
Tuesday, November 12, 2013
A Tribe Called Quest - Electronic Relaxation (1993)
Midnight Marauders, which was released on November 9th, 1993, is still a classic 20 years later.
Monday, April 9, 2012
Telling It Like It Is for More Than 40 Years
It was very sad news to hear last week that the man of the only afro-centric news show on network television, had passed away. Gil Noble had died of a stoke. He was 80-years-old.
Gil Noble is perhaps most well known for his 1-hour long television show "Like It Is," which aired locally on channel ABC 7 here in the New York area.
Gil Noble is perhaps most well known for his 1-hour long television show "Like It Is," which aired locally on channel ABC 7 here in the New York area.
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