Thoughts on Fruitvale Station

After a month delay and several months of being intrigued by the premise of the film, I finally saw "Fruitvale Station" last week. It left me feeling a number of emotions upon exiting the theater.

"Fruitvale Station" is the story of Oscar Grant and the 24 hours leading up to his death at the Fruitvale subway stop in Oakland, California, on New Year's Day 2009. But it's really so much more than that. It's a story that truly does explore the human condition through Oscar's eyes and makes the viewer see a troubled man who was trying to turn his life around.

What makes "Fruitvale Station" different than most movies is that you have some idea going in how the story will end. Anyone who has heard about the film or done any research on the case, knows ultimately that Oscar Grant will be killed. Similar much in the same way as a movie like "Titanic," where (spoiler alert) the ship sinks, with a film like "Fruitvale Station" character development becomes all the more crucial when the audience knows the final result.

Is an Oscar Win the Kiss of Death for Black Actors?

I rooted for both Octavia Spencer and Viola Davis during last Sunday's Academy Awards. I'm not one who usually cares for award shows, but this year's Oscars had the weight of history on its broad shoulders.

See, not only were two black women nominated for Oscars, they were favored to win. Both Octavia Spencer and Viola Davis had received critical acclaim for their portrayals as Minny Jackson and Aibileen Clark in Dreamworks' "The Help." The idea of black women playing maids and being awarded for it, is in itself nothing new. You can go as far back as 1940 with the case of Hattie McDaniel, who won an Academy Award for her portrayal as (you guessed it) a maid. 72 years later, it seems Hollywood has not come as far as one would expect in acknowledging black women (or women of color for that matter) for roles beyond that of domestics.